Get Out is a 2017 psychological horror film. Directed by Jordan Peele (Key & Peele) and starring Daniel Kaluuya (Psychoville), Allison Williams (Girls) and Stephen Root (Office Space). The film is the directorial debut for Peele, who was previously known for his comedy sketch work.
The film follows the young couple of Chris (Kaluuya) and Rose (Williams), as Rose prepares to take Chris home to meet her family. Chris is initially paranoid at being the only black person at the house before being introduced to the black staff Georgina and Walter, however, they begin to exhibit very strange behaviour. After being coerced into a hypnotism session with Rose’s mother, we learn that Chris has been harbouring guilt from his childhood relating to his own mother’s death and, during a party at the family home, the rich white guests start to take an unhealthy interest in him. It soon becomes clear that Rose has been luring young black people back to the family home where, bizarrely, her brain surgeon father transplants the consciousness of the rich white people into their bodies. Trapped inside the house, and under hypnotic mind control, Chris has to fight for his life to escape his grim fate and remain in control of his own body.
Jordan Peele has crafted one of the most witty, socially relevant and suspenseful horror films in recent memory, and the fact that this is his first film is all the more impressive. The set up is somewhat familiar, reminding me of Funny Games (97) or You’re Next (11), but the idea of race as a source of tension is introduced right away and is the main thread from which the plot points hang. It is an exceptionally well written film as Peele plants seeds throughout that will only be paid off in the third act, or even on a second viewing, and there are many lesser directors that simply don’t think this far ahead. Crucially, the heavy subject matter of racism is peppered with comic relief, mostly in the form of Chris’s friend Rod, as well as clever eccentricities in the characters that ensure it is a film that can be enjoyed and analysed in equal measures.
The performances from the supporting cast are excellent with Bradley Whitford and Catherine Keener providing the perfect balance between sinister weirdos and strangely likeable parents. Allison Williams proves much more interesting after Rose’s true motives are revealed and Georgina and Walter’s performances are fascinating when reassessed in the light of the third act reveal. The only downsides, performance wise, are the pretty bland protagonist Chris and the under-utilised Stephen root but this can be forgiven in quite a busy cast. As ambitious and original as the whole hypnotic slave/consciousness swapping angle is, I have to say the idea of mashing 2 brains together in one skull to create an avatar was a pretty far fetched notion in an otherwise grounded movie.
Get Out reinvents the twisty Hitchcockian thriller for the interesting modern times in which we live and offers a rare black perspective within the horror genre. Multiple mysteries are deployed and resolved with the precision of a much more experienced director than Peele and, no doubt, the horror world will be watching his next move closely. Get Out doesn't reinvent the wheel, but it is surely the freshest take on the genre you'll see this year.
**** 4 Stars
What did you think of Get Out? Did you feel the plot was a little too out there?